Monday, August 14, 2017
Sunday, August 06, 2017
The low-key ebullience of not being alone in a city. Having people and a purpose. Bene Coopersmith (above) is a terrific mostly non-actor --he runs a record store in Brooklyn--and I hope to see him in more stuff. If not, this was a great role, and he played it with an unusual and very cool combination of grace, verve and charm. It goes without saying that I would love a full PI movie of Abbi Jacobsen and Michael Cera, but I'll settle for this goofy novella. I didn't find much in the Tavi Gevinson third, other than a thought about precociousness being its own challenge, but maybe it was to and for her underserved audience. If you are in an emotionally exhausted place, I bet this film would put you back on your feet. Salut!
Posted by Ben at 8/06/2017 07:28:00 AM
Saturday, August 05, 2017
Beautifully filmed in London, painful and joyful to watch, similar to LOVE but at a different stage in the relationship. Both know where the pressure points are, and neither is afraid to put its couple through the wringer to examine how characters respond. CATASTROPHE feels more tense in the process--Sharon and Rob make their jobs, mortgage and kids so real you feel like you share in the burden--and Rob's succumbing in secret to back to alcoholism was hinted at and serialized in its ups and downs like the sordid, humiliating part of the hero's journey that it is. It is funny too, but not big set-piece funny, opting for the more personal brand of humor that two people forge together, and supplementing it by saving the best one-liners for their rogue's gallery of deplorable, deeply human, friends. Some of the accents are so back-side-of-the-spoon thick that jokes are probably lost on me and others in the American audience, but there's plenty to go around.
Posted by Ben at 8/05/2017 08:10:00 AM