Scott has a lovely saying I'll mangle: it's always a great year for film. I'd like to think that's true for music too, but I think there is more year to year variation. The old saw is that music is the universal language, and it is
a universal language, but I'd argue images have greater potency. As upright apes, we came to rely on vision above all else, and I think more gets lost in translation sonically than visually. I do like variation and a healthy dose of Brazilian, African, French music etc. but without being able to understand the lyrics, it has limited staying power with me. So if the English-speaking world doesn't get gifted with a Kanye, Gaga, etc. ALBUM then it can occasionally be an unremarkable year for long-form. Whereas, if American film has a "down" year, we have dozens of very talented filmmakers across the world doing work that can translate intensely and clearly to us here. /rantangent
Top is best, on down:
Best
Carly Rae Jepsen-
E-MO-TION
Great
Steven Hauschildt-
Where All is Fled
Mark McGuire-
Beyond Belief
The Road Chief-
All My Love
Sufjan Stevens-
Carrie & Lowell
Jamie xx-
In Colour
Grimes-
Art Angels
Baroness-
Purple
Very Good
Mark Ronson-
Uptown Funk
San Fermin-
Jackrabbit
Sannhet-
Revisionist
Tame Impala-
Currents
Pusha T-
King Push- Darkest Before Dawn: The Prelude
(winner of dumbest album title of the year, hands amputated)
Friendzone-
While U Wait (EP)
Miguel-
Wildheart
Good
Beirut-
No, No, No
Panopticon-
Autumn Eternal
The Mountain Goats-
Beat the Champ
Aquacure-
Demo
The Decemberists-
What a Terrible World, What a Beautiful World
Belle & Sebastian-
Girls in Peacetime Want to Dance
Craig Finn-
Faith in the Future
Yo La Tengo-
Stuff Like That There
Modest Mouse-
Strangers to Ourselves
Death Cab For Cutie-
Kintsugi (best album title this year)
Disappointments
My Morning Jacket-
The Waterfall
The Go! Team-
The Scene Between
Built to Spill-
Untethered Moon